Share Sounds from The Business Of Film presented by Simon Rose related to Entertainment / Review

This week James Cameron-Wilson is joined by Chad Kennerk, our occasional American correspondent, to review the opening weekend performance of 'F1 The Movie', which at #1 is now Brad Pitt’s highest-grossing movie, beating the record set in 2013 by his zombie thriller 'World War Z'. Having waxed lyrical last week about Danny Boyle’s new film '28 Years Later', James returns to where the franchise left off in 2007, reviewing the title with fresh eyes. While on the subject of zombies, Chad and James share some of their favourite undead excursions. James was less thrilled with the film at #6, 'M3GAN 2.0', which continues the escapades of the titular killer robot doll as she goes good in order to face off with a deadlier foe. For his streaming title of the week, James reviews the sobering Netflix documentary 'Grenfell Uncovered'.

This week James Cameron-Wilson is joined by Chad Kennerk, our occasional American correspondent fresh from his trip to CinemaCon in Vegas. James is thrilled to see that the UK box-office has leaped a phenomenal 168.7% from the previous weekend, thanks to the video game adaptation 'A Minecraft Movie' with Jason Momoa and Jack Black. At #4 is 'Death of a Unicorn', a farcical horror comic that is inept on almost every level, save for the presence of Jenna Ortega. However, at #7 is the Oscar-winning animated feature 'Flow', which James claims is the best film of the year so far, being an enthralling, mystical, frequently quite funny, wondrous, haunting and even a pulse-accelerating experience. He was less happy with 'The Electric State' on Netflix, a $320 retro-futuristic mess with Chris Pratt and Mollie Bobby Brown which he describes as being overblown, heavy-handed and visually cluttered.

James Cameron-Wilson is joined by guest interrogator Chad Kennerk to discuss the UK box-office, which has dipped 3% from the previous weekend. Sadly, he was not a fan of any of the three new releases in the marketplace: he found 'It Ends With Us' implausible and ridiculous, M. Night Shyamalan’s psycho-thriller 'Trap' contrived and inexplicable and the video game adaptation 'Borderlands' (with Cate Blanchett, of all people) derivative and chaotic.