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Simon Rose

The Business of Film: The Monkey, I Am Still Here, Douglas Sirk box set, My Fault: London & Oscar predictions

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: The Monkey, I Am Still Here, Douglas Sirk box set, My Fault: London & Oscar predictions
James Cameron-Wilson says box office, though down 39%, is still up 78% year-on-year thanks to Bridget Jones. #4 is The Monkey, a spectacularly grisly horror film which, neither funny nor scary, is just depressing and illogical. I Am Still Here is #6, Walter Salles's much-garlanded docudrama about Brazil's dictatorship in the 1970s. James loved the Blu-Ray box set "Douglas Sirk 1934-5" with the director's three lost German films available for the first time. And James ends with his predictions for the forthcoming Oscars.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Bridget Jones – Mad About the Boy, Captain America – Brave New World & the BAFTAs

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Bridget Jones – Mad About the Boy, Captain America – Brave New World & the BAFTAs
James Cameron-Wilson celebrates a 162% box office jump with Bridget Jones: Mad About The Boy the new #1. Its £12.3m take was the biggest ever for a romcom. James, although recognising he's not the target audience, was a little less enthusiastic, as was Simon Rose, though James found it the best of the four films. #2 is Captain America: Brave New World, the 35th Marvel film. A thriller that gets increasingly far-fetched, James enjoyed it to an extent. He loved watching the BAFTAs and discusses the ceremony and the results.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: September 5, The Brutalist & The Gorge

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: September 5, The Brutalist & The Gorge
James Cameron-Wilson reports on box office +13%. Avoiding animated #1 Dog Man, he found #5, September 5, a true-life drama about TV's coverage of the Munich Olympics kidnapping of Israeli athletes totally engrossing, if uncomfortably timely. At #6 is The Brutalist. Despite admiring its many exceptional attributes, including the acting, he found the characters in this 215-minute labour of love tiring. He admired the film but has no wish to see it again. He enjoyed The Gorge on Apple TV+ which begins as a Tom Clancy thriller but ends up being more like a Richard Curtis movie. He found it barmy, surprising and ludicrous.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Companion, Presence & You're Cordially Invited

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Companion, Presence & You're Cordially Invited
James Cameron-Wilson says that UK box office is down for the fifth week in a row. #3 is Companion which James says is best enjoyed knowing little about it. It has laughs, thrills and plenty of surprises but is essentially a black comedy. Steven Soderbergh's horror Presence has slipped to #20 but James found it a one-trick pony with little flesh on its bones, short though it is. He suggests everyone avoids at all costs Amazon Prime's matrimonial romcom You're Cordially Invited. With Will Ferrell and Reese Witherspoon, it is depressing, irritating and mean-spirited and beggars belief in its awfulness.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Flight Risk, Bank of Dave 2 - The Loan Ranger & the Oscar nominations

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Flight Risk, Bank of Dave 2 - The Loan Ranger & the Oscar nominations
James Cameron-Wilson says that box office is down 21%, although A Complete Unknown remains #1. The Mel Gibson thriller Flight Risk is #4 with Michelle Dockery and Mark Wahlberg excellent in a well-produced, tight piece of hokum which actually drew a round of applause in the cinema. On Netflix, James found Bank of Dave 2: The Loan Ranger with Rory Kinnear, about the iniquity of payday lenders, superior to the first film. It's more believable and he was perfectly engaged. He also discusses the Oscar nominations, including the snubs, the disappointments and the surprises.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: A Complete Unknown, Wolf Man & Back in Action

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: A Complete Unknown, Wolf Man & Back in Action
James Cameron-Wilson reports on box office -13% but still up on 2024, with Wicked becoming last year's most successful film with £59.6m. The musical biopic of Bob Dylan, A Complete Unknown, with Timothy Chalomet and Edward Norton is the new #1. Despite great performances, with little narrative momentum, it might be mainly for fans. The tedious and unbelievable Wolf Man limps in at #7. James found Netflix's spy thriller Back in Action, the return from retirement of Cameron Diaz, all very silly and over the top, despite some good stunts. The Oscar nominations were coming out during recording so James gives his first thoughts on who's in and who's out.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Babygirl, A Real Pain & White Bird

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Babygirl, A Real Pain & White Bird
James Cameron-Wilson says that yet again 6 films took £1m at the box office, with Mufasa replacing Nosferatu as #1. Racy drama Babygirl is #5, with Nicole Kidman amazing as a businesswoman whose perfect life is threatened by an affair. James found it almost too much, so real and voyeuristic did it feel. Jesse Eisenberg's A Real Pain at #6 has him and Kieran Culkin mismatched cousins tracing their European heritage. It's original, deftly realised, witty and well acted. Although perhaps aimed at younger viewers, Amazon's White Bird has Helen Mirren explaining her experiences under the Nazis to her grandson. Made by the great Marc Forster, it is poignant and touching and had James on the edge of tears at times.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Nosferatu, We Live In Time, The Six Triple Eight

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Nosferatu, We Live In Time, The Six Triple Eight
James Cameron-Wilson celebrates a healthy box office, up 42% YoY. New #1 Nosferatu is Robert Eggers' take on the 1922 Murnau classic with Bill Skarsgard, Lily-Rose Depp and Nicholas Hoult. The design and photography is brilliant but the ripe dialogue caused giggles in the audience. At #3 is We Live In Time from the director of the brilliant Brooklyn. A non-linear telling of a relationship, James found it an amazing and rewarding emotional investment. On Netflix, he admired the Six Triple Eight, a surprisingly true WW2 tale of African American servicewomen in Europe. Although it's not subtle, it is very emotive and well-acted.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Film: Mufasa – The Lion King, Better Man & Carry-On

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Film: Mufasa – The Lion King, Better Man & Carry-On
James Cameron-Wilson celebrates box office soaring 113%, though he can't be dragged to #1 Sonic the Hedgehog 3. He finds the animation in the photo-realistic #2 Mufasa: The Lion King astonishing. A prequel and sequel modelled on Butch Cassidy it is wonderful, being both moving and very powerful. Better Man is a musical memoir of Robbie Williams with him narrating, though on screen he is represented as a chimpanzee. It's very original and inventive and is surprisingly engaging and moving. On Netflix James recommended Carry-On, a thriller with Taron Egerton and Jason Bateman which sucks you into the terrifying action.
Guest:

James Cameron-Wilson

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Simon Rose

The Business of Fim: Kraven the Hunter, Lord of the Rings - The War of the Rohirrim & That Christmas

Simon Rose
Original Broadcast:

The Business Of Film

The Business of Fim: Kraven the Hunter, Lord of the Rings - The War of the Rohirrim & That Christmas
With box office takings down once more, James Cameron-Wilson says that #5 Kraven the Hunter is the worst ever Marvel opening. It's a mixed bag but is often entertainingly ludicrous with Russell Crowe having fun as a Russian villain. He found the anime Lords of the Rings: The War of the Rohirrim often utterly baffling but it got better as it went on, even if he never wants to see anything Lords of the Ring-related ever again. On Netflix, however, he warmed to the animated That Christmas, co-written by Richard Curtis. It's a sweet and sentimental tale aimed at the whole family that does what it says on the tin.
Guest:

James Cameron-Wilson

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